Yes, Brazil. Just as we remembered you. A new generation of players, a new era, a new World Cup challenge—but somehow still the same old Brazil. On a balmy night under the golden vault of Lusail Stadium, the tournament favourites delivered a performance that felt not just deliberate, but curated. It had the rhythm of theatre, the precision of orchestration, and the kind of nonchalant brilliance that causes other nations to clench their jaws in envy.
This was
Brazil’s tournament opener, but it read like a familiar script. A game in three
distinct acts.
Act One: Caution. Brazil began hesitantly, almost
unsure of their own rhythms. They probed Serbia’s defence with tempo, but not
much incision. There was more feeling out than feeling forward.
Act Two: Adjustment. As the second half began, the temperature
rose. Brazil shook off their torpor. The pressure built, and eventually it
broke. Richarlison’s first goal was born from a Neymar-Vinícius combination—one
of several on the night—followed by the striker’s predatory finish after Vanja
Milinković-Savić parried the initial shot.
Act Three: Liberation. With the dam broken, Brazil played
with the kind of giddy abandon only they can make seem inevitable.
Richarlison’s second was an outrageous bicycle kick—a moment of singular
audacity. A goal that seemed airbrushed straight out of a commercial. Flick,
swivel, airborne strike. Capoeira in boots.
Around him,
the supporting cast dazzled. Vinícius Júnior was all silk and swerve; Neymar,
even while hobbling off late, remained the connective tissue of every move.
Raphinha brought aggression and incision on the right. And behind them,
Casemiro conducted with understated brilliance, a midfield metronome whose
tempo never faltered.
Brazil, on
this showing, might just possess the tournament’s most potent attacking
trident. Not just pace and trickery, but structure too. Balance, as Tite often
preaches—not just between attack and defence, but between joy and discipline,
impulse and intent.
And yet,
this was no exhibition.Serbia, to their credit, came to challenge. For 45
minutes they held the line. Their plan was clear: to fight, to disrupt, to
provoke. They kicked Neymar. They followed Vinícius like a shadow’s shadow.
Andrija Živković, in particular, tracked him so doggedly he might as well have
been assigned to his room key. The metaphor stretched: by night’s end, Živković
felt like the kind of clingy guest who’d already stolen the hotel duvet.
But effort
only gets you so far when your opponent is playing light. Brazil were
inexorable. They kept knocking, prying, teasing. Like a determined hand in a
nearly-empty bag of pistachios, they eventually found the stubborn nut that
would open the game.
Casemiro
hit the bar. Tite turned to his embarrassment of riches: Rodrygo, Martinelli,
Antony—all unleashed with the casual menace of a team that could afford to
treat the closing stages as a workshop. Brazil had already sealed the deal.
Of course,
they are no longer automatic favourites. Since 2010, their World Cup record
against European sides is patchy: three wins in nine. They’ve had to grind
more, shine less. But this match, perhaps, reminded us of what Brazil still are
when they choose to be: confident, flamboyant, just a little bit arrogant. A
team that doesn’t just play to win—but plays to remind you of who they are.
Welcome
back, Brazil. The music hasn’t changed. The notes are still golden.
Thank You
Faisal Caesar



