In 1889, an Indian teenager was sent to Cambridge
where he learnt cricket and became a popular amateur batsman. He practiced in
the Cambridge nets where he was
first noticed by FS Jackson, the captain of Cambridge .
Jackson noticed the youngster
taking on a relay of bowlers almost right through the day and asked him why he
was tiring himself out.
The young lad replied: “I must practice endurance. I find it
difficult to go on after 30 minutes.”
Once while walking across the Parker Piece ground, Jackson
found a huge crowd had gathered to watch a match. On enquiring, he found out it
was the same Indian youngster who caught the attention of the crowd. Jackson
stopped by for a few minutes to watch the lad in action. He then said, “Dangerous
cricket, with so many unorthodox strokes.” He was fascinated by the lad going
down on his knees to pull a ball to leg!
That boy was none other than Ranjitsinhji – Maharaja Jam
Sahib of Nawanagar.
Of course, Ranjitsinhji – or Ranji as he was popularly known
– is better known for inventing the leg glance. While practicing at the nets
against the fast bowlers, Ranji’s right leg used to move well across to expose
his stumps. Dan Hayward, the great English paceman, was unable to persuade him
to keep his foot on the ground and play a defensive stroke.
Defensive cricket was not Ranji’s cup of tea. He did not
believe in dull batting and it was this approach that saw the birth of one of
the greatest scoring strokes in cricket – the leg glance, a shot that Ranji
played by moving across, twisting his body, flicking his wrists and smashing
the ball round his legs. The bowler, Hayward ,
was amazed.
The British called it an unconventional stroke. They said it
was not cricket.
But Ranji made it a part of cricketing coaching manual as it
was a productive stroke. The British were tradition bound and were rigid in
their orthodoxy beliefs. However, Ranji brought a revolution with the “leg
glance” and freely admitted that it was evolved through the necessity of
defending himself.
His late cut which was executed with so much authority that
time just stopped to watch his art and talent. But it was his leg glance that
was truly mind-boggling.
Ranji’s batsmanship was dashing and artistic. It has a blend
of the aesthetics with savagery. If his cover drive was poetry in motion, then
his pulls were ferocious.
Ranji was the one who introduced the flavour of the
subcontinent to the West. In this era we are amazed by various unorthodox
strokes executed by Virender Sehwag and Sachin Tendulkar, but these cricketing
legends are just carrying the legacy of Ranji, who gave the British a taste of
Indian art.
Ranji was fitting described as a “prince of a small state
but the king of a great game.”
Note: This article has been published in Cricket Country on 02/06/2011 http://www.cricketcountry.com/articles/ranji-prince-of-a-small-state-but-king-of-a-great-game-3107
Thank You
Faisal Caesar
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