Thursday, July 2, 2020

Sir Everton Weekes: The Artist Who Battled Racism with a Bat in Hand



On February 26, 1925, in a modest wooden shack on Pickwick Gap near the iconic Kensington Oval in Saint Michael, Barbados, a legend was born. Named after the English football team Everton, Sir Everton DeCourcy Weekes would go on to embody not just cricketing excellence but also the resilience and artistry of the Caribbean spirit. His middle name, DeCourcy, hinted at a possible French influence in his ancestry, though its origins remained a mystery to him. 

Weekes’ early years were marked by hardship. When he was just eight, his father left for Trinidad to work in the oilfields, a common but painful reality for many families in the Caribbean. It would be 11 long years before his father returned. In his absence, Weekes and his sister were raised by their mother, Lenore, and an aunt, whose nurturing presence Weekes credited for his strong moral foundation. 

A Childhood of Dreams and Barriers 

Weekes attended St. Leonard's Boys' School, where academics took a backseat to sports. He later quipped about never passing an exam, yet his life would prove to be a testament to perseverance and self-learning. Cricket and football were his passions, and he represented Barbados in both sports. 

As a boy, Weekes worked as a groundskeeper at Kensington Oval, earning the chance to watch international cricketers in action. This proximity to greatness ignited his dreams. At 13, he began playing for Westshire Cricket Club in the Barbados Cricket League (BCL), a competition primarily for Black players. His local club, Pickwick, was closed to him due to its whites-only policy—a stark reminder of the racial segregation that permeated colonial society. 

Weekes left school at 14, dedicating his time to cricket and football. These years of relentless practice laid the foundation for his unparalleled skill. By 1943, he enlisted in the Barbados Regiment, where he served as a Lance-Corporal until 1947. The military provided him access to the higher-standard Barbados Cricket Association, where he played for Garrison Sports Club alongside Westshire in the BCL. 

The Rise of a Genius 

Weekes’ performances in local cricket earned him a place in a trial match in 1945, leading to his first-class debut against Trinidad and Tobago. While his initial outings were unremarkable, his determination never wavered. By the 1946-47 season, he had found his rhythm, scoring his maiden first-class century against British Guiana and averaging an impressive 67.57 for the season. 

The 1947-48 tour by the MCC proved pivotal. An unbeaten 118 against the tourists secured Weekes’ place in the West Indies Test squad. His Test debut came in January 1948 at Kensington Oval, but his early performances were underwhelming. Dropped after three Tests, fate intervened when George Headley’s injury brought Weekes back into the fold. 

The Legend is Born: The Indian Odyssey 

It was in India that Weekes announced himself to the cricketing world. In the First Test at Delhi in November 1948, he scored a majestic 128. This was followed by a breathtaking 194 in Bombay and consecutive centuries in Calcutta (162 and 101). In Madras, he fell agonizingly short of a fifth consecutive hundred, controversially run out for 90. 

This streak of five Test centuries remains a record, underscoring his brilliance. His artistry was unmatched—Weekes was a master of timing, his wristwork a symphony of elegance and power. His ability to dominate spinners on dusty Indian tracks showcased his adaptability, as he danced down the pitch to disrupt their length. 

The Era of the Three Ws 

By 1948, Weekes had joined Frank Worrell and Clyde Walcott to form the legendary “Three Ws.” Each brought a unique flavor to West Indies cricket: Worrell’s leadership, Walcott’s brute force, and Weekes’ poetic artistry. Together, they symbolized the emergence of the Caribbean as a cricketing powerhouse. 

Weekes’ batting was a study in grace and efficiency. Bow-legged and with minimal foot movement, he relied on impeccable hand-eye coordination. His drives, cuts, and flicks were a lesson in the use of the wrists, likened to silk flowing through his veins. 

Triumph and Racism 

Weekes’ success on the field was accompanied by battles off it. During the 1954-55 series against Australia, he, Worrell, and Walcott were excluded from a cocktail party hosted by a white West Indian player. Such indignities were a stark reminder of the racial barriers that still existed. Yet, Weekes used his bat as a weapon against discrimination, inspiring a generation of Caribbean youth. 

A Legacy Beyond Numbers 

By the time he retired, Weekes had amassed 4,455 Test runs at an average of 58.61, the eighth-highest among players with 30 or more innings. His artistry and consistency left an indelible mark on the game. 

Post-retirement, Weekes was knighted and honoured with numerous accolades, including induction into the ICC Cricket Hall of Fame. His contributions extended beyond cricket, as he played a pivotal role in breaking social barriers in the Caribbean. 

Conclusion 

Sir Everton Weekes was more than a cricketer; he was a symbol of hope and resilience. His journey from a wooden shack to the pinnacle of cricket is a story of triumph over adversity. His artistry on the field and his courage off it continue to inspire, reminding us that excellence transcends barriers. 

Rest in peace, Sir Everton Weekes—a true legend of the game and a beacon of the human spirit.

Thank You
Faisal Caesar  

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