Growing up in the 1980s had its peculiar mix of charm and constraint. The absence of the internet meant our knowledge of the world came filtered through the lens of the 9 PM news. Borders felt thicker then, and foreign lands remained mysteries painted only by the brush of storytelling. Yet, amid this informational austerity, those of us who came of age in that era hold a privilege the digital-native generation may never truly grasp.
We witnessed the magnificence of Viv Richards — not through clips endlessly looped on YouTube, nor through algorithm-curated highlight reels, but through the pure, unfiltered awe of live memory and hushed retellings. And among the many chapters of his cricketing legend, few are as seared into that collective memory as the innings he played at Taunton in the summer of 1985.
Prelude to Carnage
It was a championship match against Warwickshire — a respectable bowling outfit led by Gladstone Small, supported by Norman Gifford, Dean Hoffman, and Anton Ferreira. The setting: Taunton, Somerset's serene home ground, destined to be shaken to its core. Vic Marks had won the toss and opted to bat, but an early wobble saw Somerset reduced to 28 for 1, technically 28 for 2, as Paul Bail had retired hurt.
Richards arrived at the crease like an approaching storm, understated at first, joining the composed Nigel Popplewell. What followed, however, was not merely an innings — it was a declaration of dominion.
The Anatomy of an Onslaught
The early exchanges were measured. Popplewell anchored the innings, allowing Richards to settle. But once he did, the gears shifted — first gradually, then violently. A man possessed with timing, power, and theatrical confidence, Richards dismantled Warwickshire’s attack not with recklessness, but with calculated fury.
He brought up his century in 114 balls — a brisk clip by any standard — yet this milestone was only the ignition. As though guided by an inner metronome, he accelerated with chilling precision. The partnership with Richard Ollis added 174, of which Ollis contributed a modest 55, highlighting the asymmetry of their roles: one orchestrating carnage, the other bearing witness.
By the time Richards reached 300, off just 244 balls, he had turned the day into an exhibition of dominance. His last 200 runs had come in 130 balls — a statistic that reads like a typographical error until you consider the man behind it.
A Record Reforged
Richards’ eventual score — 322 off 258 balls, decorated with 42 boundaries and 8 towering sixes — was more than a personal best. It was an assault on the record books.
He became the first West Indian to score 300 in a single day of First-Class cricket. He surpassed Harold Gimblett’s long-standing Somerset record of 310, and eclipsed Dick Moore’s 316 to set a new high mark against Warwickshire — a record that still endures. This was not just an innings; it was a statement carved in stone.
It’s easy to quantify the brutality: three Warwickshire bowlers conceded over six an over. Gifford’s 18 overs cost 135. Smith and Hoffman fared little better. Only seven maidens were bowled in an innings of 100 overs — six of them before Richards fully unfurled his wings.
Vic Marks would later declare at 566 for 5. Richards had not merely built a total — he had built a monument.
The Aftermath: Echoes in the Silence
Warwickshire’s response was spirited, with Dennis Amiss and Paul Smith putting up a 161-run stand and Ferreira scoring a resilient unbeaten century. The visitors showed resolve, eventually conceding a lead of 124. In Somerset’s second innings, Richards did not bat — perhaps he had already said everything he needed to.
Marks declared again, this time at 226 for 5, and Warwickshire, chasing an improbable 351, found refuge in defiance. Robin Dyer and Alvin Kallicharran’s 140-run stand ensured the match would end in a draw. But the outcome mattered little.
Legacy: A Day that Time Cannot Erase
There are innings that win matches. Then there are innings that transcend them. Richards’ 322 at Taunton was not broadcast live, and remains absent from digital archives — and yet, it exists vividly in the minds of those who saw it unfold, or heard it recounted by those who did.
It was a day when a cricket ground became a theatre, a bat became a brush, and a man called The King painted a masterpiece upon the green canvas.
Some moments are too grand for footage. They live on not in pixels, but in legend.


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