Monday, December 17, 2012
A Renaissance in India: England’s Redemption Through Excellence
Friday, December 14, 2012
Joe Root: A Schoolboy No More, but a Future Prospect
At just 21 years old, Joe Root looks like a lad fresh from the corridors of King Ecgbert School, still adjusting his backpack and rushing off to class. His smile—a boyish, disarming grin—seems tailor-made for a Disney film, yet Root’s script has been written far from any fairy tale. He isn’t an actor cast to enchant on screen, but rather a cricketer, proving his mettle miles from his Sheffield home, under the unforgiving sun of Nagpur.
The Foundations of a Prodigy
Root’s path was no accident. Born into a cricket-loving family, his father, Matt Root, introduced him to the game at Sheffield Collegiate CC, where former England captain Michael Vaughan once honed his craft. Vaughan’s rise inspired young Root, shaping him as both a batsman and competitor. Root's precocious talent first shone at the *Bunbury Festival*, where he was named Player of the Tournament—a fitting precursor to a cricketing odyssey that was beginning to unfold.
Root's development was meticulously nurtured. His days with Yorkshire’s Second XI were marked by incremental progress—runs accumulated in obscurity, lessons learned far from the limelight. A stint at the Darren Lehmann Academy in Adelaide in 2010 further sharpened his game, equipping him with the ability to confront spin and subcontinental conditions—skills that would later prove crucial.
Navigating the Stormy Seas of English Cricket
By the time Root found himself on England’s Test tour to India in 2012, the team was mired in turbulence. The captaincy transition from Andrew Strauss to Alastair Cook had left the squad in flux, compounded by a fractious relationship between Kevin Pietersen and England’s management. Defeat to South Africa at home had further bruised their confidence. Yet Cook, determined and methodical, helped galvanize the side, leading a remarkable turnaround in India. Root observed this resurgence from the sidelines, waiting patiently for his chance, uncertain if it would even come.
When Samit Patel's form faltered, Root was unexpectedly drafted into the playing XI for the fourth Test at Nagpur. Many were taken aback by his selection. He lacked the precocious flair of a young David Gower or the explosive talent of Marcus Trescothick. His first-class numbers were promising but not extraordinary. Yet the England think tank, keen to gamble on temperament over flair, saw something in Root that demanded investment. His ability to handle spin—a trait identified by Graham Thorpe on England Lions tours—proved decisive.
Baptism by Fire: Nagpur, 2012
Root’s debut could not have come at a more precarious moment. England, reeling at 119 for 5 with Ian Bell back in the pavilion, were staring down the barrel on a sluggish, spin-friendly surface. When Pietersen departed soon after, the team’s hopes of a competitive total hung by a thread. What England needed was not just runs but a statement of resolve. And Root, making his maiden Test appearance, quietly answered the call.
The young batsman’s innings wasn’t one of dazzling strokes but of character. Root faced 229 balls—longer than all but five debut innings in England’s Test history—grinding out 73 runs with patience and poise. His knock embodied the essence of Test cricket: absorbing pressure, neutralizing threats, and capitalizing on the rare scoring opportunities that emerged.
He may not have enchanted the crowd with flamboyant drives or audacious pulls, but his stay at the crease was a masterpiece in restraint. Root’s innings mirrored the serenity of Cook—a captain whose stoic presence had come to symbolize England’s newfound resilience. As Root settled into the rhythm of the game, it became evident that he wasn’t just making a debut—he was announcing himself as a vital cog in England’s future.
Patience, Precision, and a Promise Fulfilled
In Root’s 73, England found much more than runs. They found a young batsman with an old soul, someone who embraced Test cricket’s intricacies rather than rushing to impose himself on the game. His performance at Nagpur signalled the arrival of a cricketer who understood the importance of adaptability—one who could mould his technique to suit varying conditions. His authority against spin, identified early by England’s coaching staff, had materialized in the most testing of arenas.
Root himself acknowledged the nerves but spoke with a maturity beyond his years: “I have been wanting and dreaming about this opportunity for a very long time... Once I was in the middle, I was very relaxed and in a good place to play.” It was a debut defined not by glamour but by grit, and that, perhaps, was its most enduring quality.
The Vaughan Parallel: A Legacy in the Making
The comparisons with Michael Vaughan, though flattering, come with subtle caution. Like Vaughan, Root’s introduction to Test cricket came not with soaring hype but through measured belief. He may not possess Vaughan’s flair just yet, but the resemblance lies in their approach—calm, composed, and unafraid of big moments. Root himself downplayed the comparisons, remarking with modesty, “Michael has given me a bit of advice but mostly lets me get on with it.”
However, Root’s innings in Nagpur hinted at a deeper promise—a future built on the foundation of discipline and hunger, with technique polished and poise ingrained. His patient debut at Nagpur was more than just a personal triumph; it was a reaffirmation of England’s faith in their County system and a glimpse of what might become the cornerstone of the national team’s batting lineup.
The Future Beckons: From Schoolboy to Statesman
Root’s boyish charm may still deceive those who see only the surface, but beneath that grin lies a cricketer of immense resolve. His story, still in its opening chapters, is not one of prodigious talent unleashed in a blaze of glory but of slow, steady growth. It’s a tale of preparation, of seizing moments when they come, and of turning opportunity into legacy.
If Nagpur was any indication, Joe Root is no longer the schoolboy running to catch the morning bus. He is England’s quiet new talisman, a player whose foundation is built not just on ability but on character. He may have entered this series unexpectedly, but he leaves it as a symbol of hope—proof that patience still has a place in modern cricket and that the future of English cricket might just rest on the shoulders of a boy from Yorkshire who dared to dream.
Thank You
Sunday, December 9, 2012
Eden Gardens Unmasked: England’s Ascendancy and India’s Unravelling
For days, Kolkata simmered with speculation. The Eden Gardens pitch—an artifact as storied as the stadium itself—was expected to hold the key to India’s revival. When the covers finally came off under the watch of 83-year-old curator Prabhir Mukherjee, what lay beneath was not the treacherous “square turner” MS Dhoni coveted, but a benign, familiar featherbed—India’s traditional sanctuary, the sort on which their batting royalty had long built their dominion.
Dhoni still won his third toss in a row, a small but
recurring victory amid a shrinking empire. India chose to bat, as they had each
time before compiling mountainous first-innings totals in recent Eden Gardens
Tests. Yet, from the day’s first exchanges, it became clear that this surface
would not script another chapter of Indian batting indulgence. England, with a
precision and discipline alien to the subcontinental stereotype, seized
ownership of conditions, momentum, and the psychological space between bat and
ball.
Day One: England’s Discipline, India’s Wastefulness
Sachin Tendulkar’s determined 76—an innings crafted not out
of fluency but out of a craftsman’s stubborn refusal to concede decline—became
India’s lone monument. Around him, an England attack of rare clarity and craft
chiselled out seven wickets on a pitch that asked them to create chances rather
than wait for them.
Monty Panesar, reborn on this tour, bowled as if in dialogue
with the pitch, varying pace, flight, and seam, producing not magic balls but a
relentless interrogation. James Anderson, meanwhile, staged a masterclass in
reverse swing: late, cruel movement through the air, yorkers tailing in like
heat-seeking missiles, and a consistent assault on India’s technical
insecurities. Steven Finn’s return only sharpened this collective edge.
India, however, abetted their own downfall. A run-out born
from Virender Sehwag’s muscular arrogance, Gautam Gambhir’s airy cut, Yuvraj
Singh’s casual prod—these were not dismissals engineered by demons in the
wicket but by carelessness, a team seduced into believing that batting at home
requires nothing more than turning up.
Tendulkar alone resisted. Watchful before lunch, respecting
Panesar’s 21-over monologue, he gradually rediscovered rhythm in the evening: a
punch down the ground, paddle-sweeps, and strokes that briefly transported Eden
to earlier eras. But Anderson returned to end the revival, drawing a faint edge
that plunged the stadium into silence.
Day Two: Cook’s Monument, India’s Slow Disintegration
If India’s batting was hesitant, England’s was an exhibition of patience sculpted into dominance. Alastair Cook, increasingly mythic with each passing Test, constructed an innings that combined monastic discipline with understated command.
Dropped early by Cheteshwar Pujara—an error that would echo
through the match—Cook settled into a rhythmic accumulation. His strokes were
devoid of flourish, yet devastating in effect: the clipped sweep, the back-foot
punch, the rare six off Ashwin like a whispered rebuke. By the time he reached
his 23rd Test hundred, he had already rewritten multiple records, surpassed Ted
Dexter’s runs in India, and placed yet another cornerstone in what would become
a monumental series.
Nick Compton played loyal foil, content to let Cook set the
tempo. Their 165-run opening stand exposed India’s dwindling venom. The quicks
lacked menace; the spinners lacked accuracy. The fielders, under a pall of
anxiety, oscillated between hesitation and apathy. Even when India found
belated breakthroughs, the innings had already established its narrative:
England were no longer visitors adapting to foreign terrain—they were
conquerors reshaping it.
By stumps, England’s 216 for 1 felt not merely dominant but
declarative. The pitch was flat, but India—mentally, tactically,
spiritually—seemed flatter.
Day Three: Attrition, Ineptitude, and the Cost of Dropped
Chances
The third day unfolded like a slow bleed. Cook and Jonathan
Trott, two masters of attritional control, extended England’s supremacy with a
partnership rooted in defiance and method. Neither pace nor spin troubled them;
even the uneven bounce offered only fleeting peril.
Ishant Sharma’s dropped return catch off Cook—a moment that
seemed to summarize India's touring nightmares of the previous
year—crystallised the team’s helplessness. Dhoni’s impassive face betrayed the
deeper malaise: a side unsure of plans, spirit, or direction.
Trott found form with clinical precision. Gifted balls on
the pads, offered width, and rarely challenged, he marched toward a hundred
before nudging one to Dhoni off Pragyan Ojha. Cook, cruising towards a double
century, was undone by a rare lapse in judgment—run out on 190, his bat lifted
rather than grounded, a symbolic reminder that even giants err.
Yet England’s momentum never dipped. Kevin Pietersen entered
like a storm, whipping balls into leg-side gaps, lofting spinners, and scoring
at a tempo that mocked India’s best efforts. His 54 was brief but brutal, an
assertion of dominance that echoed England’s rising confidence.
By day’s end, India’s bowlers resembled laborers condemned
to endless, thankless toil.
Day Four: Swann’s Spell and India’s Collapse of Nerves
If England’s batting was a lesson in discipline, Graeme Swann’s post-lunch spell on the fourth day was a study in ruthlessness. India began with a whiff of revival—four cheap England wickets, 86 unanswered runs—but their resurgence was illusory. Swann tore through the innings with a mixture of drift, dip, and sheer cunning.
Virender Sehwag was breached through the gate, triggering a collapse that spiralled rapidly into chaos. Gambhir and Pujara were suffocated by pressure, undone by poor judgment and panicked running. Tendulkar, perhaps in his final Eden Gardens innings, succumbed to an offbreak that refused to turn—a cruel metaphor for his fading invincibility.
Finn and Anderson returned to torment India with reverse swing, exposing technical fragility and mental fatigue. Kohli was lured into an edge after a clever setup; Yuvraj was bowled by one that scuttled low; Dhoni perished to a tame waft.
Runs dried up. Hope evaporated. The crowd, once the
orchestra of India cricket’s greatest triumphs, now found itself reduced to
murmurs and sighs.
Day Five: Resistance, Ritual, and England’s Lap of Honour
R Ashwin, incongruously India’s most consistent batsman this
series, prolonged the inevitable with a valiant 83 and stout partnerships with
Ishant and Ojha. His batting average now dwarfed his bowling returns—a
statistic that encapsulated India’s disarray.
But the end was swift. England suffered a brief stutter—8
for 3—before Bell and Compton restored order with calm, rational batting. Their
measured approach highlighted everything India lacked: clarity, composure, and
conviction.
Bell’s final boundary sealed the match and triggered
jubilant celebrations. England’s players circled the ground in a victory lap
that felt both triumphant and symbolic. They had conquered not merely a venue
or a match, but a myth—the invincibility of India at home.
For India, the defeat marked their first back-to-back home
Test losses since 1999–2000. More profoundly, it signaled a reckoning. Eden
Gardens, once a fortress of folklore, had become a mirror reflecting a team in
the throes of decline—tactically muddled, mentally brittle, and unprepared for
the persistence of a resurgent English side.
Thank You
Faisal Caesar
Thursday, December 6, 2012
Alastair Cook: The Renaissance of Modern English Cricket
Thank You
Tuesday, November 27, 2012
Mumbai, 2012: When 22 Yards Lost and 11 Men Won
There are Test matches that live in the scorebook, and there are Test matches that live in the mind. Mumbai 2012 belongs firmly to the second category. On paper, it was “just” a ten-wicket win that levelled a four-Test series 1–1. In reality, it was a quiet revolt against lazy assumptions: that India at home cannot be beaten on turners, that England cannot play spin, that conditions alone decide destiny.
What
unfolded at the Wankhede was not simply a contest of skills, but a moral
argument about ego, resolve and the seductions of home advantage.
Pujara:
The New Axis of Indian Batting
For a day
and a half, the game appeared to belong to Cheteshwar Pujara. By Mumbai, he had
effectively moved into this series and refused to vacate it. An unbeaten double
hundred in Ahmedabad was followed by 135 in Mumbai; by the time Graeme Swann
finally stumped him, Pujara had occupied the crease for roughly 17 hours in the
series.
He did not
merely accumulate runs; he bent time.
On a used,
crumbling Wankhede pitch—rolled out again only three weeks after its previous
first-class use—Pujara’s batting was an exercise in subtraction. He removed
panic from the dressing room, removed doubt from his own mind and, crucially,
removed England’s favourite escape route: the early error.
He was tested, of course. James Anderson nearly had him caught at point on 17. Monty Panesar drew a hard chance to gully when Pujara was on 60. On 94 he survived a theatrical LBW–bat-pad–shoe drama that required television confirmation. But his response to all of it was resolutely untheatrical. On 99, to a chorus of “Pu-ja-ra, Pu-ja-ra”, he pulled Anderson’s second new-ball delivery through square leg with the casual certainty of a man playing on a different surface.
If Indian
cricket has been waiting for a successor to Rahul Dravid’s quiet tyranny over
time, Pujara announced his candidacy here. This was not the swaggering heroism
of a Sehwag. It was the slow, suffocating dominance of a man who understands
that in the subcontinent, the most brutal thing you can do to a bowling side is
refuse to go away.
And yet, in
Mumbai, his excellence became the backdrop, not the story. That tells you how
extraordinary the rest of the match was.
Panesar
and Swann: England’s Unexpected Spin Rebellion
If Pujara
was India’s new constant, Monty Panesar was England’s rediscovered question.
Omitted,
almost insultingly, in Ahmedabad, Panesar returned in Mumbai to a pitch that
looked like the fulfilment of MS Dhoni’s wishes: dry, tired, breaking up from
the first afternoon, the ball already going through the top. This was supposed
to be India’s trap. Instead, Panesar treated it as a gift.
Panesar is
the antithesis of the modern, hyper-flexible cricketer. He does not reinvent
himself every six months, does not unveil new variations on demand. He runs in,
hits the same area, over and over, and trusts that spin, bounce, pressure or
human frailty will eventually do the rest. In an age obsessed with “mystery”,
his bowling is almost quaint in its honesty.
And yet on
certain surfaces, that stubborn simplicity becomes a weapon. In Mumbai, it was
murderous.
His first day figures—4 for 91 in 34 overs—do not fully capture the menace. He bowled Virender Sehwag—on his 100th Test appearance—with a full ball that exposed lazy footwork. He produced a gorgeous, looping delivery to Sachin Tendulkar that turned, bounced and hit off stump like a verdict. Later in the match he finished with 5 for 129 in the first innings and 11 wickets overall, becoming the first England spinner since Hedley Verity in the 1930s to take ten in a Test.
Beside him,
Graeme Swann was the perfect counterpoint: dark glasses, wisecracks, a sense
that he might yet sneak off for a cigarette behind the pavilion. Panesar was
deliberate, almost ascetic; Swann was instinctive, constantly probing with
drift and angles. Between them, they took 19 wickets in the match and, more
importantly, out-bowled India’s more vaunted slow-bowling cartel on their own
carefully chosen turf.
That, more
than any single dismissal, was the heart of Mumbai’s shock. India had demanded
a raging turner. They got one. And then they were spun out by England.
Dhoni’s
Gamble: When 22 Yards Became a Crutch
MS Dhoni
had been unambiguous before the series. Indian pitches, he felt, should turn
from day one. Ahmedabad had not turned enough for his liking; the spinners had
had to toil. “If it doesn’t turn, I can criticise again,” he had said, half in
jest, half in warning.
Mumbai
obliged him. A re-used pitch, cracked and dusty, offered sharp spin and erratic
bounce from the first afternoon. In some ways it was the subcontinental mirror
image of a green seamer at Trent Bridge—conditions so tailored to the home side
that the opposition’s weakness became a policy, not just a hope.
But here
lies the seduction, and the danger. When a side becomes convinced that 22 yards
will win the contest, it starts to believe its own propaganda. Fields and plans
bend to the surface, not the situation. Responsibility leaks away from the
batsmen and bowlers and is outsourced to the curator.
India, who
have made a proud history of defying conditions abroad—Perth 2008, Durban
2010–11—forgot their own lessons. In Perth they had stared down raw pace and
steepling bounce. In Durban they had turned 136 all out into a fighting series
by finding resolve on a similar track a week later. They, better than most,
should have known that conditions are an invitation, not a guarantee.
In Mumbai,
they behaved like a side who believed the pitch would do the job for them. It
did not. And when England’s spinners refused to play their allotted role in the
script, India looked alarmingly short of contingency.
Pietersen
and Cook: Genius and Grind in Alliance
If Panesar
and Swann exposed India’s strategic hubris, Kevin Pietersen and Alastair Cook
exposed the limits of stereotype.
England
arrived in India with a reputation almost bordering on caricature: quicks who
become harmless in the heat, batsmen who see spinners as exotic hazards rather
than everyday opponents, a team psychologically pre-beaten the moment the ball
begins to grip.
In
Ahmedabad, those clichés looked depressingly accurate. By Mumbai, Cook had
already begun to dismantle them. His second-innings hundred in the first Test,
made in defeat, was the first act of quiet rebellion: an assertion that
resolve, not reputation, would define this tour.
That
resolve created the emotional space for Pietersen’s genius. The 186 he made in
Mumbai will sit comfortably in any list of great away innings. On a pitch where
virtually everyone else groped and prodded, Pietersen batted like a man who had
located a hidden, benign strip beneath the chaos.
This was not the reckless, premeditated slogging of Ahmedabad. This was calculation. He read R Ashwin’s variations early, stepped out at will, and dismantled the notion that left-arm spin (in the shape of Pragyan Ojha) had become his unsolvable nemesis. In one 17-ball spell he took Ojha for two fours and three sixes, including an outrageous lofted drive over cover and a pick-up over midwicket that belonged in a dream sequence.
And yet the
real genius lay not in the fireworks, but in the waiting. Pietersen blocked the
good balls, soaked up maidens when necessary and trusted that, given his range
of scoring options, opportunity would arrive soon enough. When it did, he did
not merely cash in; he detonated.
Around him, only Cook matched that level of control. While everyone else struggled to strike above a run-a-ball tempo in that pitch’s universe, Pietersen reached fifty from 63 balls and dragged the scoring rate into a different orbit. Cook’s 122, collected in a lower gear, was an innings of attritional excellence: precise footwork, a newly developed willingness to use his feet, sweeps and lofted blows over mid-on that spoke of a man who had rebuilt his method against spin, brick by brick.
Together,
they added 206 for the third wicket, both reaching their 22nd Test hundreds,
drawing level with Wally Hammond, Colin Cowdrey and Geoffrey Boycott on
England’s all-time list. That felt symbolic too: the rebel and the loyalist,
introvert and extrovert, the man who sends text messages and the man who writes
them in management-speak, walking together towards a common record and a shared
rescue mission.
It is
fashionable to reduce Pietersen to a problem and Cook to a solution. Mumbai
reminded us that high-functioning teams sometimes need both. Pietersen’s
volatility is the price of his genius; Cook’s stoicism is the ballast. Strip
away either, and the side becomes flatter, easier to contain.
England’s
Character Test – And India’s
Mumbai was not, in isolation, a miracle. It was the logical consequence of something that happened in Ahmedabad. Had England folded tamely in that first Test—had Cook’s second-innings hundred never materialised—they might have arrived in Mumbai staring at the same dusty surface and seeing demons in every crack. Instead, they came knowing that a method existed; that survival, and even productivity, were possible.
Out of that
knowledge grew resolve. Out of that resolve grew Panesar’s relentless spell,
Swann’s 200th Test wicket, Cook’s third successive hundred of the series,
Pietersen’s greatest hits album. Out of that resolve, too, came the willingness
of Nick Compton to begin his Test career on rank turners, batting out time
while his more luminous colleagues grabbed the headlines.
India, by
contrast, experienced a psychological inversion. For years they have been the
side that clawed strength from adversity—Sydney 2008, Durban, Perth. In Mumbai,
they were the side that blinked when their script went wrong. Once Panesar and
Swann began to out-spin Ashwin, Ojha and Harbhajan, once Pietersen began to
treat the turning ball not as a threat but as an ally, India did not mount a
counter-argument. They seemed offended by the defiance.
Even their
batting dismissals, Tendulkar’s and Dhoni’s apart, were less about unplayable
deliveries and more about pressure and impatience. Virat Kohli’s ugly mis-hit
of a full toss, Yuvraj Singh’s tentative prodding, Gautam Gambhir’s imbalance
across the line: these were tactical failures born of a side expecting the
pitch to do the heavy lifting for them.
The
Hubris of Conditions – And the Joy of Being Wrong
Sport is
full of comforting myths. In England, the pub wisdom runs: “Leave a bit of
grass on, bowl first, and it’s over by tea on day four.” In India, the Irani
cafĂ© version goes: “Turner from the first morning—no chance for them.” Behind
both is the same lazy faith: if we can make the conditions extreme enough, our
weaknesses will be masked and the opposition’s exposed.
But the
Wankhede Test reminded us that there is joy—almost moral joy—when the opposite
happens. When the side banking on conditions is out-thought and out-fought,
when the curator is not the match-winner, when the pitch is an accessory and
not the protagonist.
In that
sense, Mumbai belongs in the same family as Perth 2008 and Durban 2010–11:
games in which the visitors were supposed to be crushed by locals wielding home
conditions as a cudgel, and instead refused to adhere to the script. In Perth,
India answered bounce with discipline and aggression. In Durban, they turned a
hammering in the first Test into fuel for a series-saving performance. In
Mumbai, England did the same.
From
Ahmedabad’s wreckage, Cook built belief. From that belief, Pietersen built
genius. Behind them, Panesar and Swann built an argument: that England were not
tourists to be herded into spin traps, but a side with their own weapons in
unfamiliar terrain.
Beyond
Mumbai: What Really Decides a Series
The
scoreboard will forever record that England chased 57 without losing a wicket
on the fourth morning, that Panesar took 11 for 210, that Swann took 8 for 113,
that Pietersen made 186 and Cook 122, that Pujara averaged over 300 in the
series at that point.
But the
real legacy of Mumbai lies elsewhere. It lies in the questions it posed.
To India:
are you willing to trust your cricketers more than your curators? Are you
prepared to accept that, even at home, you might need to bat time, to adapt, to
be patient, instead of expecting the pitch to conform to your moods?
To England:
can you treat this victory as a step, not a summit? Can you resist the
temptation to believe that one great win has solved your historic issues
against spin? Can you recognise that outside Cook and Pietersen, your batting
in these conditions remains fragile?
And to all of us who care about Test cricket: are we willing to admit that it is precisely this long, unpredictable narrative that makes the format irreplaceable? A two-Test series would have killed this story at birth. A T20 game would have reduced it to a handful of highlights and a forgettable result. Only a long series, played over changing conditions and shifting psychologies, can offer a canvas this wide for character and error and redemption.
As the
teams moved to Kolkata and Nagpur, the series stood 1–1 on paper. But the
balance of doubt and belief had shifted. The demons in the mind—those invisible
influencers of technique and decision—had migrated from one dressing room to
the other.
Mumbai, in
the end, was a reminder of something simple and profound: pitches can tilt a
contest, but they cannot finish it. In the final reckoning, it is still 11
human beings—not 22 yards of turf—who decide how a series is remembered.
Thank You
Faisal Caesar





