The Summer of Slow: When England Swallowed Their Own Medicine
Shubman Gill’s sly invitation—“Welcome back to boring Test cricket”—felt at first like a juvenile taunt. But he wasn’t wrong. For a full sun-cooked day at Lord’s, England’s Bazball bravado was shelved. Joe Root and Ollie Pope went 28 balls without scoring; the crowd went from roaring to wilting in their seats, sunburned and half-dreaming of shade.
This was not the revolution England had promised the world. It was a retreat into the cautious pages of an older manual. The pitch was partly to blame: slow, inert, offering bowlers a chance to be patient artists. But deeper down, this was about memory—of Edgbaston’s 587-run hammering, of an India that didn’t just punish you but humiliated your brand.
Ben Stokes chose to bat, and the hosts crawled to their slowest scoring day under the Bazball sun. The irony? They needed it. Boring cricket saved them. And as they discovered, boring cricket, when seasoned with stubbornness and a splash of Joe Root’s class, still has its place in the modern hymn book.
Joe Root’s Canvas: Painting Mastery on a Worn Backdrop
While the heat melted the spectators and stilled the bats, Root turned the day into his private gallery. At Lord’s he is less batsman, more curator of moments—each deft leave, each gentle guide to third man, another stroke of quiet genius. By the time he reached his 37th Test century (surviving the overnight sleep on 99), he had swept past Dravid and Smith on the all-time charts.
Root knew precisely how to negotiate Bumrah’s menace: largely by not facing him. Watching him maneuver singles to keep himself at the non-striker’s end was a masterclass in humility. It wasn’t audacious cricket; it was grown-up cricket. The innings felt almost hushed in its brilliance, a whisper amid the echoing hype of Bazball, reminding everyone that elegance doesn’t always need an exclamation point.
Bumrah: Legacy in Swing and Seam
Jasprit Bumrah arrived at Lord’s with personal ghosts to slay and an honours board to chase. Rested at Edgbaston precisely for this, he etched his name where Indian legends like Kapil Dev once stood—and then, by surpassing Kapil’s overseas five-fors, gently pushed the great man aside.
This was less a burst of brilliance and more a long orchestration. Early on, Bumrah called for slips to stand closer, knowing this deck was slower. Later, when England threatened to creep away, he sliced through their illusions: a ball nipping back to splatter Brook’s stumps, another that ghosted under Root’s sweep.
In a match that demanded artistry more than raw pace, Bumrah was Rembrandt with the seam—light here, dark there, everything alive on the canvas.
Stokes: The Mad, Magnificent Martyr
If Root was the quiet artist, Stokes was the tragic hero—flinging himself body and soul at the match, daring injury to catch up. He bowled 44 overs across the Test, pushing his reconstructed hamstring past sensible thresholds, exorcising two years of reduced threat with the ball.
There were moments that bordered on absurd. A nine-over spell on the final morning. Then, after lunch, another ten, driving himself into exhaustion while orchestrating every field tweak, every psychological skirmish. He forgot to collect his cap from the umpire, such was the haze of his zeal.
Yet it was this very madness that turned the match. Stokes was the heat and noise Lord’s had longed for. When he ran out Pant with that spinning direct hit—a man nursing multiple wounds attacking an injured keeper—it was both cruel and magnificent.
Asked later why he tortured himself so, he shrugged: “Bowling to win a Test match—if that doesn’t get you excited, I don’t know what does.” It was the mission statement of a man who long ago decided immortality was worth the risk of breaking.
Jofra Archer: Rage, Relief, Resurrection
Then there was Jofra. Three balls into his first over back, three years of rehabilitation finally gave way to sunlight. His deliveries climbed past 90mph, some touched 93, and batsmen didn’t just play—they flinched.
The dismissal of Pant on day five was poetry with bite. After being contemptuously driven straight, Archer dug deeper, found a fuller length with spite, and let the slope do the rest. Off stump cartwheeled; so did Archer, racing up to offer Pant a few pointed words—uncharacteristically raw from cricket’s usually unflappable poet.
His was not just a return to Test cricket. It was a reclaiming of the stage. And watching him revel in it—emotions bursting after the abuse of three lost years—was worth every second of the wait.
India: Their Old Fire, Their New Fretfulness
This Test didn’t just slip from India; it was wrested away. Yet for long periods, they held the upper hand. Rahul was a monument to composure, Jadeja a foxhole genius who nearly pulled off a legendary heist. Gill? He talked plenty, wagging tongues about boring cricket, clapping sarcastically at England’s delays—but offered little when Carse trapped him LBW.
Their own moments of petulance hurt them. Gill’s obsessions with over rates, the running squabbles with Crawley, the impatient hook from Bumrah at the death—these were distractions that the finest sides sidestep. India looked, at times, like a team searching for old arrogance instead of conjuring new ruthlessness.
The Coda: A Match That Went to the Edge of Madness
When it ended, it was not with an eruption but a kind of weary embrace. Shoaib Bashir spun one into Siraj’s pads, stumps shattered, bodies sank. Stokes didn’t even run. His team ran to him instead, offering their energy to a captain who had given them everything.
This Lord’s Test didn’t elevate tactics or trends. It elevated hearts and flaws and sheer bloody-mindedness. It was about Stokes bowling until he forgot his own rituals. About Archer chasing demons. About Bumrah signing the honours board and then looking for another blank space.
Shubman Gill once asked for “boring Test cricket.” Careful what you wish for, young man. This was that—and it turned out anything but dull.
Thank You
Faisal Caesar
